INTERVIEW: Stone Foundation

Having just announced details of their forthcoming live album ‘Live Rituals’, due for release on 13th October via 100% Records, West Midlands British soul stars Stone Foundation are about to hit the road on a full UK tour.

‘Live Rituals’ is a testament to how far Stone Foundation have travelled over the years and the accompanying rise in their reputation as a credible and exciting live band. The album was recorded at the Islington Assembly Rooms in London and features appearances from Paul Weller, Dr Robert and Danny Champ.

Taking a few minutes out of prep for the tour, Neil Jones kindly offered a few words to discuss recent album ‘Street Rituals’, their association with Paul Weller and his thoughts on playing Birmingham.

Your 4th album ’Street Rituals’ was released earlier this year, are you happy with it?
I think it’s our strongest record to date lyrically and musically. We’re living in very divisive and divided times and we wanted to make an album that hopefully shines some light on the troubling situations that we seem to be facing right now.

Do you feel you need to speak out about what is happening around you, considering the backlash some artists get for it, like Lily Allen‬?
We never really wanted to write songs about “he loves her, she loves him etc…” there are too many serious things going on in the world now to take a back seat and not stand up for what you believe. I believe music is a great vehicle to make people think and hopefully in a very small way affect and challenge people’s thought process. There’s way too much hate in the world right now, we really need to start coming together as people and say enough is enough. Curtis Mayfield was a huge inspiration for us, he preached love, peace and understanding. It’s a shame for me to see how as a human race we seem to keep making the same mistakes over and over again.

How did your relationship with Paul Weller‬ come about and how does it feel to have him as such a fan?
He called me to say how much he loved our last two records and asked if we’d be interested in writing a song with him. As you can imagine we jumped at the chance, we’re all huge fans of his music. Those first few writing sessions produced ‘The Limit of a Man’ and ‘The Colour Of’ and we just bonded from there. He’s become a really good friend and he’s a wonderful sounding board for ideas.

You recorded the album at his own studio, how long did it take and any stories you can let us know about the time spent there?
It took around 2 weeks all told. The core of the record went down live and was a really natural and organic process. We were able to make small changes along the way and most of the tunes went down in 2 or 3 takes. Paul is a great guy to be around, his mind is constantly buzzing, it’s almost like watching an indoor firework going off in the studio, it’s a really inspiring thing to see. We spent many a wonderful late night in the barn, working on some songs until 3am in the morning. It was for me easily the most enjoyable record we’ve made so far, it never for one moment felt like work. I particularly enjoyed the vocal takes myself and Paul did, we’d record most of them together so we could bounce off each other as we sang. The end of Simplify the situation springs to mind straight away, that was just me and Paul having fun in the vocal booths and getting right into the tune.

Did you feel yourselves as a band work on a new level with his involvement?
Yeah it definitely pushed me as a songwriter and us as musicians. We wanted everything to be the best it could be. The recording process was really natural though, it just clicked into place. We were just like 6 mates making music together during those first sessions, it was a fantastic experience.

The album features soul legends likes William Bell and Bettye Lavette‬, how did you approach them about working on the album?
We’d played with William at Union Chapel in London and got on really well with him. He’s a really gracious guy and we’re all big fans so it was a real honour to get a Grammy award winner like him on the record. As for Bettye, we always loved her voice and couldn’t think of anyone better to sing Season of change. We wanted a true storyteller to convey some very serious lyrics and she was perfect. Her voice seems to resonate from the very earth itself, she’s an incredibly gifted singer and we were very fortunate with how she threw herself into that song.

You are heading out on tour this October, what can people expect from a Stone Foundation live show?
Passion, intensity, soul and 100%

Any special guests planning to join you on the road you can tell us about?
We’re very fortunate to have Graham Parker supporting us in London so who knows he may join us on stage. We’re never short of a few surprises here and there, last time in London we had Paul Weller and Dr Robert from The Blow Monkeys join us on stage.

Do you think there is a growing fanbase for Soul music and a band like yourselves?
Yes massively. This year has completely underlined that, we’ve been playing to sold out venues up and down the country and had our first top 40 record with ‘Street Rituals’. I think people need some positivity right now and we certainly aim to give people that in our music.

Whats next for the band?
We’re putting out the live album and we’ve already started the next song writing process off for the follow up to Street Rituals. We’ve got really big plans for the next record.

Finally, as a local lad, what are your thoughts on playing in Birmingham?
It’s my home town and I love the place. Like Liverpool though, we haven’t played there for a couple of years so I’m sure it’ll be an amazing night. Every time I play Birmingham it feels like coming home to me.

Stone Foundation play at Birmingham O2 Academy 3 on the 18th October as part of a wider UK tour. Tickets are available now.

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About the Author

Glenn

Visual Editor, Chief Photographer and original mind behind Soundcheck in it's original format. Eclectic music tastes and fan of a good beat. Can usually be found at a gig across the country or at a festival over the Summer - More than likely with a camera surgically attatched to me.
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