Retro-inspired indie-rock packed with guitars, synths and choruses galore.
Southampton's finest old school rock n' rollers return with their third opus and are on course to win over a whole host of new fans and escalate to the peaks.
A bold and unique record epitomised by its perfect blend of the eccentric and the downright catchy.
Awe-inspiring riffs with a rough edge, from the kings of modern psychedelic heavy metal.
Unashamedly catchy electro-pop with the spirit of the 80s running through its veins.
Wildewoman sees Brooklyn-based Lucius come onto the scene with a bang: one to watch in 2014.
A promising debut with the occasional moments of brilliance. One to watch in future.
Huge stylistic change since the last album, but the same precocious talent. A great Liars release.
Euphoric yet understated heartland rock from the Philadelphia four-piece.
Equally beautiful and challenging, Drew establishes himself as a solo artist with admirable style on this second outing.
Rough'n'ready rock'n'roll with punk energy and a satisfying Southern twist.
A line-blurring, border-pushing electronic avant rap record vitalised by the diversity of its creators.
Going to Hell stands to demonstrate the incredible diversity of The Pretty Reckless. An incredible listen.
4 tracks from his last album, Lanterns, are re-imagined (with help from Lorde) in this hauntingly enigmatic EP.
Birmingham’s THE TWANG are one of those rare bands. Since releasing ‘Wide Awake’ back in 2007, the band have been able to slip through the net of mainstream indie at every...
The Sound of Summer 2014, exemplified.
Pacey, jagged indie pop with more than a few twists and turns in the bargain.
Often over-long and sometimes repetitive, there are only occasional flashes of brilliance on Elbow's sixth LP.
Ambient dream pop whose understated beauty is only slightly dampened by its lack of diversity.
The Doves front man goes solo and makes one of the finest and most original albums released in a long time.
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